Beane (Brad Pitt) is still grieving from a close loss in the previous season. To add insult to injury, he has to play against teams who have several times his budget and strip him of three pivotal players. He knows his little coin can't buy big talent, and understands the difference needs to be found off the field.
The naive Peter Brand strikes a stark contrast with a battle-hardened Billy Beane |
The two use maths and science to create a team of misfits who have been labelled too old, injured or funny looking. The media, the public and even their colleagues swiftly claim the team is dead; heightening the very real risk that Beane could not only lose his job, but his career in the industry.
It might not read like much, but the hardball negotiations that take place off the field infuse this flick with a lot of action. Much in the same way The Social Network makes complex computing accessible to the masses, Moneyball makes baseball, its slang and mathematical analysis intriguing. Its no surprise to see as both films share screenwriter Aaron Sorkin.
At first audiences aren't sure if Beane loves baseball, choosing to not watch games, deliver inspirational speeches or even mingle with the players. It's not until an adorned montage we begin to see the logic, frailty and discipline behind his strict practices.
Beane doesn't look at a game's final score to see if he's won or lost. He is already filled to the brim with the mistakes he made in the past, and every little mishap eats away at him. Pitt's portrayal shows Beane cringing every time a ball is missed, a bat swings silently and the crowd stays seated. But Beane can still see the romance through his hardened scars.
Anyone can appreciate Moneyball's witty dialogue, complex characters and the hardships the characters go through. It transcends the sport of basebell without neglecting it, makes audiences care for the players without obscuring its commentary and draws them throughout the flick with unwavering intrigue. It's an extraordinary tale told in tasteful cinematic fashion.
By Tony Ibrahim
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